Unlike other fictional universes, the Doctor Who universe is created solely by fiction. To us, this is a secondary source. Information from this source can only be used in "behind the scenes" sections, or on pages about real world topics.
|Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures|
|Publisher:||Cambridge Scholars Publications|
|Editor:||Ross P. Garner, Melissa Beattie, Una McCormack|
|Release date:||1st May 2010|
It is also intended to be used academic text, and was edited by Ross P. Garner, Melissa Beattie and Una McCormack, a PhD candidate, postgraduate research student, and PhD graduate & novelist respectively.
Publisher's summary Edit
The successful regeneration of Doctor Who in the twenty-first century has sparked unprecedented popular success and renewed interest within the academy. The ten essays assembled in this volume draw on a variety of critical approaches—from cultural theory to audience studies, to classical reception and musicology—to form a wide-ranging interdisciplinary discussion of Doctor Who, classic and new, and its spin-off series, Torchwood and The Sarah Jane Adventures. With additional contributions from Andrew Pixley, Robert Shearman, Barnaby Edwards, and Matt Hills, the volume is intended to be accessible to everyone, from interested academics in relevant fields to the general public.
Subject matter Edit
Notable features Edit
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