The Lazarus Experiment (TV story)
|The Lazarus Experiment|
|Main enemy:||Professor Lazarus|
|Main setting:||London, 2008|
|Premiere broadcast:||5 May 2007|
|Premiere network:||BBC One|
|Format:||1 45-minute Episode|
|Doctor Who television stories|
|Evolution of the Daleks||42|
|Gridlock||Daleks in Manhattan|
|Another memorable moment|
|Behind the scenes video|
|More behind the scenes stuff|
The Lazarus Experiment was the sixth episode of the third series of Doctor Who. It saw regular writer Mark Gatiss take on an acting role and marked the Doctor's acceptance of Martha as his regular companion. It included a large number of "Harold Saxon" references and saw Francine Jones' first involvement with his aides.
To have an adventure investigating the unusual, there's no time like the present!
After travelling backwards, forwards and backwards again in time, Martha Jones has returned home. However, before the Tenth Doctor can bid farewell to her, he hears Professor Richard Lazarus announcing that he'll "change what it means to be human." What could this mean? And could it lead to something far more dangerous than a simple scientific failure?
The TARDIS materialises in Martha's flat. The Tenth Doctor tells her that they had agreed — one trip and home. It is about twelve hours after they left, something the Doctor failed to do with Rose in his previous life. Martha's phone rings, but she does not pick it up; it is her mother Francine, saying that her sister Tish is on the news. Martha turns the television on and, alongside Tish, an elderly man, Professor Richard Lazarus, announces that tonight he "will change what it means to be human." The Doctor says goodbye to Martha and, oblivious to her upset, steps into the TARDIS. It dematerialises, but quickly rematerialises. The Doctor reemerges, saying, "No, I'm sorry, did he say he was going to change what it meant to be human?"
At Lazarus Laboratories, Professor Lazarus and Lady Thaw discuss the need for the experiment to work, with Thaw mentioning that Mr Saxon is funding their research. Tish comes in, asking if Lazarus would like to check over the guest list again. He stops her and tries flirting by asking what kind of perfume she wears; she tells him "soap" and quickly excuses herself.
The Doctor and Martha attend Professor Lazarus' reception that evening, as do Martha's mother and her brother Leo. Martha introduces the Doctor to her family; Francine is suspicious of him. Tish also meets the Doctor, wondering how he got in as he's not on the guest list. Martha explains Tish works in the PR department before Tish corrects her; she's head of the PR department, having put together the party herself. The Doctor inquires what kind of experiment Lazarus is going to perform with the large capsule in the room, being labelled a "science geek" by using big words. He questions Martha as to what it means, seeming rather pleased with the answer.
The lights of the room dim and a spotlight focuses on Lazarus, who announces he is to perform a "miracle", and steps into the manipulator's capsule. As technicians operate the machine, the Doctor notices that the system is overloaded and jumps in to avert disaster.
Lazarus emerges, looking decades younger. Despite the momentary crisis, his experiment appears to have been a success — but the Doctor is certain there are dangers the professor has overlooked. He talks to Lazarus about having experience with a similar process, taking notice that he's experiencing hunger from a depletion of energy; the Doctor tells him that he couldn't have thought of all the variables that could have happened. Lazarus scoffs at the Doctor's warnings, so the Doctor and Martha sneak off to conduct their own tests, taking a DNA sample from Martha's hand, which Lazarus has just kissed. Their test shows Lazarus hacked his own DNA and instructed it to rejuvenate. However, "something's been activated; something that won't let him stabilise, something that's trying to change him."
Meanwhile, Lazarus speaks with Lady Thaw in his office on the top floor, telling a story about his childhood during World War II. Thaw expresses her desire to be the next to be rejuvenated so they can continue their partnership both personally and professionally. He rejects her, joking that not only did he learn cruelty from her, she has a gift for it. As she threatens to complain to Mr Saxon, Lazarus begins spasming. To Thaw's horror, Lazarus mutates into a hideous scorpion-like creature and attacks her.
Downstairs, Francine asks Tish and Leo whether Martha has ever mentioned the Doctor to them before. She worries there is "something going on", but Leo tries calming her down by saying Martha's found someone to be with. Lazarus returns to the reception, back to being himself and wearing a different suit, and invites Tish upstairs with him. Tish, now willing to return his advances, follows without argument.
The Doctor and Martha find Lady Thaw's body, or rather, just the shell of her body; the Doctor says she had all the life energy drained to supply energy to the processes caused by Lazarus' fluctuating DNA. Worried he will kill again, they go back downstairs, only to learn that he has gone off with Tish. They rush off, the Doctor accidentally spilling a drink on Francine. Another man replaces her drink, and darkly warns that Martha should be more careful in choosing her friends.
Lazarus takes Tish to the roof, where he talks about nearby Southwark Cathedral and quotes T.S. Eliot, a quote the Doctor completes. As they argue, Martha gets Tish away from Lazarus before he transforms again into a monster. They run away, tripping a security lockdown. The Doctor gives Martha the sonic screwdriver to unlock the doors, and warns everyone at the reception to get out, but one woman refuses to believe this... until Lazarus bursts in and roars at the assembly. Panic ensues as the guests scramble for the door, Leo suffers a concussion and Lazarus drains the life energy from the same woman who refused to believe the Doctor, killing her in front of the horrified guests. The Doctor draws Lazarus away from Francine. Lazarus chases the Doctor down a corridor. Martha examines Leo, gets everyone out of the building, and goes back inside to help the Doctor despite Francine's protests. Tish guesses that "maybe she loves him". The man who replaced Francine's drink earlier calls the Doctor "dangerous", and whispers in Francine's ear the things he says she "should know" about him.
The Doctor turns on the gas in a lab and leaps away from the resulting fireball, but Lazarus survives. Martha hears the explosion and finds the Doctor as she runs toward its source. She returns the sonic screwdriver to the Doctor. They flee together, and end up hiding in the capsule of Lazarus' machine, on the Doctor's hunch that Lazarus is unlikely to destroy his own creation. The Doctor comments that what Lazarus has transformed into is an accidentally-unlocked evolutionary dead-end lying dormant in human genes. Lazarus turns on the machine as the Doctor fiddles with the wiring inside. The Doctor "reverses the polarity" so that it affects the outside of the capsule instead of the inside, transforming Lazarus back to human in appearance — and apparently killing him.
Outside, as the ambulance carrying Lazarus' body pulls away, Francine slaps the Doctor, and tells him to keep away from Martha.Suddenly, all turn their heads when they hear a loud crash nearby. The Doctor, Martha and Tish take off and find that the ambulance has gone off the road. Opening up the back doors, they find that Lazarus has killed both paramedics for their energy and escaped. They find him in human form inside Southwark Cathedral, where as a child he took refuge during the London Blitz. The Doctor says he was present during the Blitz, but Lazarus says that he is not old enough to have been there. They argue again about the benefits and curse of longevity. Martha (accompanied by Tish) then lures Lazarus away to the top of the bell tower; the Doctor told her earlier that Lazarus could be defeated if he could just get him up there.
As the Lazarus monster chases the Jones sisters at the top of the cathedral, the Doctor pulls out all the stops on the pipe organ, inserts the sonic screwdriver, and plays it at maximum volume, setting up a resonance in the bell above Lazarus that interferes with his sonic-based experiment. Lazarus falls to the cathedral floor below, transforming one last time — back into the elderly man he once was.
Back in Martha's flat, the Doctor offers Martha one more trip, but Martha refuses to go with him on that basis, as a mere passenger being given a treat. The Doctor says, "Okay, then, if that's what you want." She thinks he means to leave her again, but he indicates with a nod that she is welcome to rejoin him on her terms, and admits she was "never really just a passenger". They leave together in the TARDIS. As it disappears, Martha's phone rings; it is Francine. She warns Martha about "who this Doctor really is", saying, "This information comes from Harold Saxon himself. You're not safe!"
- The Doctor - David Tennant
- Martha Jones - Freema Agyeman
- Tish Jones - Gugu Mbatha-Raw
- Leo Jones - Reggie Yates
- Francine Jones - Adjoa Andoh
- Professor Lazarus - Mark Gatiss
- Lady Thaw - Thelma Barlow
- Party Guest - Lucy O'Connell
- Mysterious Man - Bertie Carvel
|Executive Producers Russell T Davies and Julie Gardner|
|Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.|
David Bednall was uncredited for his organ performance.
- The Doctor states that he has to turn the sound "to eleven", a reference to the mockumentary "This is Spinal Tap".
- The Tenth Doctor, after getting out of the chamber, remarks, "Reversing the polarity shouldn't take that long... I must be a bit out of practice" — the Third Doctor was known to "reverse the polarity" on devices regularly.
- The Doctor claims to have been taught how to play the pipe organ by Beethoven.
- Harold Saxon is mentioned by Dr Lazarus, Lady Thaw, and Francine.
Story notes edit
- This is the second time in the revived series when the Doctor jumps from an explosion, first seen in The Unquiet Dead.
- Gatiss's appearance makes him one of a select few to have both written for and acted in the show, and the first of the revived series to do so. Gatiss' involvement with the Doctor Who franchise dates back to writing for the Virgin New Adventures novel series in the early 1990s, as well as appearing in and writing several independent spin-off video productions. Gatiss also voices "Danny Boy" in Victory of the Daleks (which he also wrote), reprises the role in A Good Man Goes to War, and portrays Gantok in The Wedding of River Song, though he was credited as "Rondo Haxton" for the latter role.
- As the rejuvinated Lazarus, Mark Gatiss wears a wig he previously wore in an episode of The League of Gentlemen, playing a veterinary surgeon based on Peter Davison's character in All Creatures Great and Small. When the Doctor Who make-up department told him they didn't have time to get a new wig made, he offered to use the League of Gentlemen wig that he had at home. The BBC ended up hiring it from him for a hundred pounds. Gattis recounts the story in great detail on the audio commentary for The Lazarus Experiment.
- The name "Lazarus" is a reference to the Biblical man who was resurrected from the dead, similar to being given youth back. The comparison is made explicit when he escapes the ambulance and the Doctor says, "Lazarus, back from the dead. Should've known, really."
- The set piece for the capsule of Lazarus's Genetic Manipulation Device is actually the redecorated descent capsule from The Impossible Planet/The Satan Pit.
- Lazarus (Mark Gatiss) says he once lived above a butcher's shop as a child. In his role as Hilary Briss in the BBC series The League of Gentlemen, Gatiss is well known for playing a butcher.
- When Martha introduces the Doctor to Francine, Francine's response is "Doctor what?"
- David Tennant and Mark Gatiss had previously appeared together in the Big Finish audio story Sympathy for the Devil.
- 7.19 million viewers - BARB Final Rating
- 6.7 million viewers - Overnight
- 0.98 million viewers - BBC3 Repeat
Filming locations edit
- The National Museum of Wales was used for the exterior and several interiors of Lazarus Laboratories.
- For the exteriors of Southwark Cathedral, the real cathedral was used. But the interiors are from Wells Cathedral in Wells, Somerset. (Coincidentally, Wells is also the location of the Wookey Hole Caves, where Revenge of the Cybermen was partly filmed.)
Production errors edit
- The Doctor references experiencing the Blitz first hand, which he did in his ninth incarnation. (TV: The Empty Child/The Doctor Dances).
- Lazarus' project insignia, a circular pattern of circles seen many times within the laboratory, is the same pattern later seen on the Master's ring. (TV: Last of the Time Lords)
- The Doctor references "something bad happening" whenever he wears a tuxedo. (TV: Rise of the Cybermen/The Age of Steel) This later happens to him again. (TV: Voyage of the Damned)
- Martha states the Doctor is her "Plus One." The Ninth Doctor said the same of Rose Tyler when watching the last day of planet Earth. (TV: The End of the World)
- Jackie Tyler was the last mother to slap the Doctor. (TV: Aliens of London)
- The Doctor mentions he "reversed the polarity", something his third incarnation did often. (TV: The Five Doctors, etc.) When his tenth and eleventh incarnations meet, they run into issues when they both do so. (TV: The Day of the Doctor)
Home video releases edit
- This episode was released with Daleks in Manhattan, Evolution of the Daleks and 42 on the Series 3 Volume 2 DVD.
- It is also part of the series 3 DVD box set.
- A deleted scene establishes that the Doctor once helped Thomas Jefferson draft the US Declaration of Independence, and he specifically takes credit for the reference to "the pursuit of happiness". The Doctor finds the first draft of the document in his tuxedo pocket.
See also edit
- Official BBC Website The Lazarus Experiment
- The Lazarus Experiment at the Doctor Who Reference Guide
- The Lazarus Experiment at The Locations Guide
|1AD||Dan Mumford +|
|2AD||Jennie Fava +|
|2D artist||Sara Bennett +, Melissa Butler-Adams +, Tim Barter +, Greg Spencer +, Adam Rowland + and Bryan Bartlett +|
|3AD||Sarah Davies +|
|3D artist||Nicholas Hernandez +, Jean-Claude Deguara +, Neil Roche +, Jean Yves Audouard + and Jeff North +|
|Art department co-ordinator||Matthew North +|
|Art department production manager||Jonathan Marquand Allison +|
|Assistant camera||Penny Shipton +|
|Assistant editor||Tim Hodges +|
|Associate designer||James North +|
|Best boy||Peter Chester +|
|Boom||Jon Thomas + and Bryn Thomas +|
|Casting associate||Andy Brierley +|
|Casting director||Andy Pryor CDG +|
|Chief props maker||Barry Jones +|
|Chief props master||Adrian Anscombe +|
|Chief supervising art director||Stephen Nicholas +|
|Colourist||Mick Vincent +|
|Confidential||Monsters Inc. (CON episode) +|
|Construction chargehand||Allen Jones +|
|Construction manager||Matthew Hywel-Davies +|
|Continuity||Non Eleri Hughes +|
|Contracts assistant||Kath Blackman +|
|Costume assistant||Sheenagh O'Marah + and Kirsty Wilkinson +|
|Costume designer||Louise Page +|
|Costume supervisor||Lindsay Bonaccorsi +|
|Cyfle trainee||Naseem Syed +|
|DOP||Rory Taylor +|
|Design assistant||Peter McKinstry + and Ben Austin +|
|Digital matte painter||Simon Wicker + and Charlie Bennett +|
|Director||Richard Clark +|
|Doctor||Tenth Doctor +|
|Dubbing mixer||Tim Ricketts +|
|Editor||John Richards +|
|Executive producer||Russell T Davies + and Julie Gardner +|
|Finance manager||Chris Rogers +|
|Floor runner||Lowri Denman + and Barry Phillips +|
|Focus puller||Steve Rees +|
|Foley editor||Kelly-Marie Angell +|
|Gaffer||Mark Hutchings +|
|Graphics||BBC Wales Graphics +|
|Grip||John Robinson +|
|Location manager||Lowri Thomas +|
|Make-up artist||Pam Mullins +, Steve Smith + and John Munro +|
|Make-up designer||Barbara Southcott +|
|Music||Murray Gold +|
|On-line editor||Matthew Clarke +|
|On-set VFX supervisor||Barney Curnow +|
|Polecam operator||Andy Leonard +|
|Post-production co-ordinator||Marie Brown +|
|Post-production supervisor||Samantha Hall + and Chris Blatchford +|
|Producer||Phil Collinson +|
|Production accountant||Endaf Emyr Williams +|
|Production co-ordinator||Jess van Niekerk +|
|Production designer||Edward Thomas +|
|Production executive||Julie Scott +|
|Production manager||Tracie Simpson +|
|Production or script secretary||Kevin Myers +|
|Props buyer||Blaanid Maddrell +|
|Props maker||Penny Howarth +, Mark Cordory + and Nick Robatto +|
|Prosthetics||Millennium FX +|
|Prosthetics designer||Neill Gorton +|
|Prosthetics technician||Helen Rowe + and Alex Wathey +|
|SFX||Any Effects +|
|SFX co-ordinator||Ben Ashmore +|
|SFX supervisor||Paul Kelly +|
|SFX technician||Danny Hargreaves + and Henry Brook +|
|Script editor||Simon Winstone +|
|Set decorator||Malin Lindholm +|
|Sound editor||Doug Sinclair +|
|Sound effects editor||Paul Jefferies +|
|Sound recordist||Julian Howarth +|
|Standby art director||Leonie Rintler +|
|Standby carpenter||Paul Jones +|
|Standby painter||Ellen Woods +|
|Standby props||Phill Shellard + and Nick Murray +|
|Standby rigger||Bryan Griffiths +|
|Stunt co-ordinator||Tom Lucy +|
|Stunt performer||Charles Jarman +|
|Supervising art director||Arwel Wyn Jones +|
|Supervising sound editor||Paul McFadden +|
|Thanks||BBC National Orchestra of Wales +|
|Theme||Ron Grainer +|
|Unit manager||Rhys Griffiths +|
|VFX||The Mill +|
|VFX co-ordinator||Jenna Powell + and Rebecca Johnson +|
|VFX editor||Ceres Doyle +|
|VFX producer||Will Cohen + and Marie Jones +|
|VFX supervisor||Dave Houghton +|
|Writer||Stephen Greenhorn +|