The Renaissance Man was the second story in the first series of Fourth Doctor Adventures.
Publisher's summary Edit
To continue Leela's education, the Doctor promises to take her to the famous Morovanian Museum. But the TARDIS lands instead in a quiet English village, where they meet the enigmatic collector Harcourt and his family.
When people start to die, reality doesn't appear quite what it was. There's something sinister going on within the walls of Harcourt's manor, and the stakes are higher than they can imagine.
The Doctor is about to discover that a little knowledge can be a dangerous thing.
Part 1 Edit
A medieval history scholar is showing a fellow scholar around a castle. He is struck down suddenly by a severe headache.
The Doctor is talking to Leela about the TARDIS’s gravitic drift compensator when they arrive at the Morovanian Museum on Morovania Minor, for the opening of the Renaissance exhibit—but they land in the wrong place, at a medieval-styled village near the museum. They meet a dog, and the woman chasing it off—Professor Hilda Lutterthwaite, a renowned lepidopterist. After mystifying Leela with her intellectual area of interest, she departs abruptly to the nearby museum.
The Doctor and Leela proceed to the museum, where they meet Reginald Harcout, his daughter Lizzie Harcourt, Christopher Manners, the maid, Beryl, and the butler, Jephson. Reginald invites them to join in for tea, then to view the collection—“a collection of…everything”, as Reginald puts it. Viewing the collection, Leela thinks something is wrong; she and the Doctor note spaces where things seem to have been removed. Leela goes to see the armoury, while Reginald takes the Doctor to view paintings. From the paintings, they proceed to the library.
Manners and Lizzie take note of Leela’s proficiency and knowledge of weapons. They are interrupted by Lutterthwaite, who is talking about her life’s work being gone. Leela goes to find the Doctor, and Manners and Lizzie go to find Jephson. The Doctor is in the library, where he is left alone; he notes that none of the books are older than fifty years. Leela finds him and takes him to help Lutterthwaite; along the way, he is struck with a severe toothache. He pushes the pain away, but they hear a gunshot from the armoury; they find that Lutterthwaite has shot herself. Christopher and Lizzie arrive, and the Doctor suggests checking the cameras; but Christopher and Lizzie cannot see the camera on the wall.
Paintings which were missing are now present. Also, in the library, other items have appeared, including text in books which previously wasn’t there. The Doctor notes that some of the information is incorrect, based on statements he himself made which were misunderstood. At that time, the police arrive to view the body.
The officer that arrives…is Inspector Reginald Harcourt, accompanied by Sergeant Jephson. The Doctor and Leela are stunned; why are these people now appearing in a different identity than that which they’ve already displayed, and acting as though they don’t recognise the Doctor and Leela?
The officers state that this is the third such incident this week. However, Leela notices a door that wasn’t there before, and she and the Doctor take it. Inside is a brand new room, filled with butterfly samples, including the one that Lutterthwaite was following. Harcourt comes in, and claims ownership of the room; when the Doctor asks him about being a policeman, he calls it a hobby. After some tense discussion, he calls for Jephson to arrest them; Leela knocks him down, and they escape. Jephson chases them through the grounds and into the wood, accompanied by Manners, who is now a constable. The Doctor and Leela elude the officers, who comment that they are heading toward ‘the castle”, but Leela slips away from the Doctor.
Leela finds a man in distress, who begs her for help. (His voice identifies him as the afflicted man from the opening teaser.) He says that if the others catch her, they will “take everything”. He claims to be the doctor—but not the same Doctor—and is disoriented. Meanwhile, he Doctor finds the castle, and meets Beryl there. He doubles back and finds Leela and the other doctor, whom he recognises as medieval scholar Dr. Henry Carnforth. As they compare notes, the Doctor realises that Harcourt and his associates are stealing the knowledge from the minds of those around them, including Lutterthwaite and Carnforth. Suddenly, Leela realises she is losing her memory of how to track their location—she too is being affected. The Doctor realises that calling this section a “Renaissance” section is a misnomer; “Renaissance” represents a new era of knowledge, and the museum’s systems are creating just that, by taking the knowledge from those on site. However, where it should be making copies, it is taking the original data from the minds of those affected…and any number of scholars, great minds who can change the course of history, will soon be here. The man who could control this system would become supremely knowledgeable—a true “Renaissance Man”. However, he would also be extremely dangerous. The Doctor assures Carnforth that his own mind is protected, and he leads them to the TARDIS.
At the TARDIS, he plans to tap into the museum systems and reverse the effects. However, they are ambushed by Harcourt and Jephson. Jephson assures him that nothing has gone wrong with the systems, however; and Harcourt says they will be arrested for the murder of Carnforth. Carnforth is still alive…but Harcourt shoots him immediately, and arrests them.
Part 2 Edit
Leela draws a knife, but the Doctor makes her give it up to Jephson. Harcourt takes them back to his office at a local police station, where Lizzie is typing a report, and Beryl is serving as well. Harcourt says that here, they collect people; he displays a book full of life stories of thousands of people. Leela notes that the book seems to go on no matter how many pages you turn. Jephson insists that the book includes everyone from this period, but the Doctor gives him another name, which is not in the book, causing consternation; the Doctor feeds them a long and colourful story about the unknown man. Elsewhere, Manning and Lizzie now seem to have morphed into a surgeon and nurse; Manning comments that the Doctor is uncooperative, and orders preparation for surgery.
The Doctor gets a phone call from the dog they encountered upon arrival. It makes no sense, but the Doctor concludes that this artificial reality is unravelling. He argues that they should not take the knowledge from the arriving scholars, when they can have a copy instead. Harcourt insists it doesn’t work as well as anticipated. He states that they intend to continue accumulating knowledge, for the sake of what he can accomplish with it. Manning arrives and takes the Doctor for surgery, as his knowledge can’t be removed the normal way. Leela attacks Manning and frees the Doctor, and they run.
In a new room, they encounter a room full of bottled drinks; outside are a number of Spitfire planes. Manners and Lizzie arrives, now having morphed into a pilot and a plane deliverywoman. The Doctor discovers that despite appearances, they do remember their other identities, but they are not supposed to show it. Harcourt arrives outside as the squadron’s wing commander, and the Doctor and Leela exit, leaving Manners and Lizzie to fret over what is happening to them; but their memories are beginning to clear.
Outside, the Doctor and Leela must run from a group of Messerschmidts; it seems Harcourt would rather kill the Doctor than let him escape. They escape into another building, where Leela finds herself alone; Beryl—now appearing as a secretary—meets her and identifies the place as Harcourt International. She refers her to the twelfth floor for a meeting with the Doctor. On the twelfth floor, Beryl appears again, and this time indicates that the Doctor in question is Harcourt. Leela grapples with her, and pushes her through a window; she tries to pull Beryl back up, but the woman falls, apparently to her death. However, Leela goes down and finds that she is alive, though badly damaged.
The Doctor has found himself in a Western saloon. He is confronted by Manners and Lizzie, now in Western guise; they claim not to know him, but they call him Doctor. He calls them on it. He insists they are not real, but are based on archetypes through history. With his sonic screwdriver, he demonstrates that they are just empty shells. Harcourt arrives in the guise of a marshal, and orders Manners to arrest him; but Manners won’t, now that he knows the truth. Harcourt summons Jephson instead, but Leela arrives instead; she has incapacitated Jephson and taken his gun, as well as her knife.
The Doctor says they are heading for the TARDIS, and leaves with Leela. Outside, he changes course, and they head for the manor house instead. Harcourt and Jephson are going there themselves, with Lizzie , Manning, and the damaged Beryl. When the Doctor and Leela arrive, Harcourt tells the Doctor he is already taking the Doctor’s knowledge, bit by bit; but the Doctor assures him he has bitten off more than he can chew. The Doctor assures Harcourt that the human brain cannot absorb the scale of information in question here; a separate storage system is needed—a library. To prove his point, he quizzes Harcourt on random facts. Harcourt gets the questions right, but the Doctor uses this to reveal that Harcourt isn’t the real “Renaissance Man”…he is the library. The Doctor makes the point that love, emotion, experience—these are just as important as knowledge. He is contradicted, however, by Jephson—who is the Renaissance Man. The Doctor reveals that he had planted the information for one of his questions, which wasn’t real at all; when Harcourt was able to produce an answer, it was a clue to the truth about him. Other statements he has made have also been false. These errors in the data have had a “butterfly effect” in the database—and now the projections around them, the library and the rest of the building, the entire world of the museum—are coming apart. Harcourt rejects Jephson’s plea for help as the manor begins to collapse.
Leela has recovered her tracking skills; and amid the destruction, she flees with the Doctor back to the TARDIS. It’s just in time; the academics will be arriving soon.
In the TARDIS, the Doctor and Leela discuss the value of knowledge, and how it is not worth more than even one life. He assures her that the museum’s systems will have fully reset, returning everyone to their original condition—but as the academics arrive, the Renaissance section is empty. The scholars are not put off; they decide it is a metaphor for learning, which no one can fully grasp.
- The Doctor - Tom Baker
- Leela - Louise Jameson
- Reginald Harcourt - Ian McNeice
- Jephson - Gareth Armstrong
- Christopher Manners - Anthony Howell
- Lizzie Harcourt - Daisy Ashford
- Beryl / Professor Hilda Lutterthwaite - Laura Molyneux
- Dr. Henry Carnforth - John Dorney
- The Doctor intends to bring Leela to the Morovanian Museum on Morovania Minor, "the greatest collection of Earth artefacts in the known universe", to further her education about humanity.
- The Doctor compares himself to the Lone Ranger.
- The Doctor mentions the TARDIS's gravitic drift compensator.
- Henry tries to tell Reginald about James of Saint George.
- This audio drama was recorded on 17 August 2011.
- This story was first broadcast on BBC Radio 4 Extra on 23 May 2015 as an hour long compilation of the two episodes, with opening and closing credits read by presenter Toby Hadoke.
- Leela refers to her visit to London in 1889. (TV: The Talons of Weng-Chiang)
- Leela mentions that she once fired a revolver at a dragon. (TV: The Talons of Weng-Chiang)
- Leela refers to crushing baby Horda. (TV: The Face of Evil)
- Leela once again refers to policemen as "blue guards" (TV: The Talons of Weng-Chiang, AUDIO: The Foe from the Future) and mentions the surveillance devices used by Xoanon to monitor the Tesh on her native planet. (TV: The Face of Evil)
- When Leela asks if the Doctor has felt the pain of having his tooth pulled, he replies, "Not with these teeth." The First Doctor had his tooth pulled by Doc Holliday in Tombstone, Arizona in October 1881. (TV: The Gunfighters)
- Official The Renaissance Man page at bigfinish.com
- DisContinuity for The Renaissance Man at Tetrapyriarbus - The DisContinuity Guide