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The Swords of Kali was the three-part second story of the Doctor Who: The Twelfth Doctor comic story series published in 2014-2015. The story was published in two versions, the other version titled The Swords of Okti.

Publisher's summary Edit

The Swords of Kali version Edit

In the distant past, the land that would be India played host to a war between ancient aliens, whose cross-temporal battles contributed to the country's rich myths and legends. Kali, oldest and deadliest of these creatures, was thought defeated long, long ago; her body scattered throughout time to prevent her return. But her psychic essence could not be killed... nor her millennia-long quest for vengeance.

Now, in the 23rd Century, she is on the brink of resurrection. And with India at the forefront of human spaceflight, it's not only Earth that falls to her predations if she succeeds – but the whole cosmos!

In a race against time, and across it, the Doctor and Clara must gather secrets, intelligence and allies from across India's past, present and future — if they are to survive... THE SWORDS OF KALI!

The Swords of Okti version Edit

In the distant past, the land that would be India played host to a war between ancient aliens, whose cross-temporal battles contributed to the country's rich myths and legends. With India at the forefront of human spaceflight, it's not only Earth that falls - but the whole cosmos!

In a race against time, and across it, the Doctor and Clara must gather secrets, intelligence and allies from across India's past, present and future - if they are to survive!

Plot Edit

Part one Edit

Madhya Province, India. 1825 Edit

Late evening in the jungle, two young Indians, a husband and wife, share the warmth of their campfire and a modest meal with other fellow travelers, a middle-aged man and a bent female completely wrapped in a red cape. The couple are traveling to Madhya, where the husband will work for the British Sahib. The man pokes fun at the cloaked figure thinking she might be old enough to remember the time before the British became their rulers.

The man's two accomplices, acolytes of Thuggee like him, suddenly attack the couple from behind and start strangling them. Two bullets find the two attackers as the bent woman, who turns out to be quite young, throws down the cape and unloads her two guns. The remaining Thuggee recognises her as Rani Jhulka, who hunts and kills robbers and murderers like him. He draws his blade intending to devote her death to Kali, but Rani's blade finds him first. She advises the young couple not to continue on their journey as that way leads to death. She, however, plans to go exactly that way.

Fortress Scindia, Madhya Province Edit

A formidable Fortress Scindia is lit by the fool moon. Unnoticed by the guards, Rani jumps from a nearby tall tree to the wall, stealthily makes her way along it, and climbs into a window. Once inside, she continues her trek, until she hears a roar from behind a closed door and a strange voice replying some nonsense about teeth and grandmas. Rani unholsters her guns and kicks open the door... to see the Twelfth Doctor held by a huge hideous monster with sharp teeth and claws. Seeing her confusion, the Doctor offers that the choice whom to shoot shouldn't be that hard in this particular case.

ClaraMonaLisa

Clara models for Mona Lisa.

Florence, Italy. 1505 Edit

Leonardo da Vinci is painting Mona Lisa using Clara Oswald as a model and asks the Doctor for his critical opinion. The Doctor notes that Leo managed to capture Clara's smile right. Clara is amused that SHE is the person in the famous portrait. The TARDIS telephone rings. The call is from Tiger Maratha.

Mumbai, India. 2314 Edit

Tiger is calling from Mumbai from year 2314. He traveled with the Fourth Doctor and was given the phone number in case he needed help. And help he needs, against a timeless evil. He is afraid to say more lest somebody is listening. The Doctor immediately agrees to help, takes Clara, and departs Florence. As Tiger hangs up the phone, a dark shape descends from the ceiling of his apartment. Its touch drains all life from him leaving a desiccated husk standing in the middle of the room.

In the TARDIS en route to Tiger, the Doctor tells Clara that they had a couple of trips with Tiger but then his wife and daughter Priyanka took precedence and he stopped traveling in the TARDIS.

FourPriyanka

Priyanka remembers the Fourth Doctor offering her jelly babies.

The TARDIS materialises on Tiger's balcony. When the Doctor and Clara step into the room, they see the back of Tiger's body and do not immediately realise they are too late. Using his sonic screwdriver, the Doctor determines that the cause of death was similar to a vampiric attack, only working on a molecular level. Suddenly, a now adult Priyanka enters the room and thinks the Doctor and Clara are the killers. Priyanka does not recognise the Doctor with this new face and wants to call the police. But when he calls her by her name and offers her jelly babies, she remembers the Fourth Doctor doing the same when she was younger and starts hugging the Doctor, causing some awkwardness.

Two police officers break up the happy reunion intending to arrest the Doctor. The only question is: how did they know about the crime if Priyanka did not call them? Turns out they are not here because of Tiger's murder. They are investigating a complaint from Scindia-Corp who accuse Tiger of theft. While cuffing the Doctor, the police request access to his records and information about some artefact. The Doctor easily gets rid of the cuffs and, acting in unison with Clara, they hit the police officers hard enough to be able to run onto the balcony. By the time the officers reach it, the trio is safely away.

In the TARDIS, the Doctor asks Priyanka why Tiger would do business with the Scindia family. She does not know because they did not speak much lately. Her father did not approve of her training to become a space pilot. But Clara has a more basic question: who are the Scindias?

In the headquarters of Scindia-Corp, waiting for the report from the police officers, the patriarch of the Scindia family, Chandra Scindia is watching an infomercial praising the family and its space-age program. The main topic of the infomercial is Haven, a spatial city designed to house millions of people. The is planned for tomorrow. The orbital city is to become fully operational tomorrow and is supposed to free people from poverty, overpopulation and environmental chaos. The infomercial also introduces notable members of the Scindia family, including Sonam, the commander of Haven. Chandra, however, detests these "angelic avatars" of himself and his family members. He looks forward to revealing their true selves.

The police officers arrive. Chandra has seen the footage from their eye-cams and is not amused by the fact that they let the Doctor and Clara escape with Maratha's daughter. As he turns the conversation to the goddess controlling their fates, his words become gradually more threatening and other Scindias from the infomercial, Sonam, Aamir and Karisma, sneak up to them from behind. Suddenly, Chandra transforms into a monstrous shape (similar to the one Rani and the Twelfth Doctor encountered in 1825) and challenges the two officers to fight them. But they are no match for the monsters.

The Doctor pilots the TARDIS to Fortress Scindia, which the family keeps under much tighter guard than their business headquarters in Mumbai. Using his sonic screwdriver to shield them from security systems, the Doctor finds a room that exists in four dimensions, that is both here and somewhen else. As he presses a shift button on one of the statues, he theorises that the room or maybe even the entire fortress exists simultaneously in other time periods. But Clara and Priyanka are not behind him anymore: he has been shifted in time. The voice behind him belongs to another star of the infomercial, Vikas Scindia, who promptly transforms into the familiar monster form. It is then that the Doctor issues his teeth and grandma remark that caused Rani to break into the room.

She fires both pistols into the monstrous shape of Vikas. The Doctor sniffs the air and tries to guess the year. He's wrong by 14 years, and Rani calls him a madman for not knowing it is 1825. The Doctor, on the other hand, is more worried that ordinary bullets might not be enough for the kind of creature they encountered. Rani's solution is simple and effective: decapitate the body. The Doctor introduces himself, and the the temporary allies walk away from the room.

Fortress Scindia, 2314 Edit

Meanwhile, back in 2314 Priyanka is worried about the sudden disappearance of the Doctor. Clara is, of course, used to that. But Priyanka has a point. If the sonic screwdriver, which was preventing their detection, is gone... As if to answer her question, more than half a dozen four-armed creatures descend on them from the ceiling.

Part two Edit

Rani is telling the Doctor how, back in in Hyderabad, she loved a woman named Khair-un-Nissa Kapoor. After she was killed by a Thuggee, Rani devoted her life to hunting them down and killing them. She is a bit surprised to confide these thing in the Doctor, but he assures her that for him any love is better than any hate. He also gently warns her that this quest for revenge may rob her of the very things Khair valued in her. Meanwhile, they reach a huge cavernous room with a gigantic statue of a four-armed female figure holding four swords in each hand. Throughout the room, strange "demon-lights" with open mouths, are levitating in the air on anti-gravs.

Clara and Priyanka are running away from hideous four-armed assailants who call themselves "the chosen of Kali". They almost reach the TARDIS, when Clara is captured. She manages to throw the TARDIS key to Priyanka and tells her to talk to the TARDIS and make her take her to the Doctor.

When Rani and the Doctor reach the base of the statue, he realises it contains a necro-cloud, sentient life-forces harvested either for sustenance or to be stored as a power source. Rani can feel that Khair is in there too. The same four-armed creatures suddenly appear and prepare to attack them in the name of Kali. The Doctor notes that they must have stealth capabilities coded into their DNA.

Priyanka managed to lock herself in the TARDIS and, following Clara's advice, tries talking to the ship, like she did as a child. She asks to take her to the Doctor. The central column begins moving.

Rani and the Doctor are fighting the four-armed creatures, she with the pistols and sword, he by reprogramming the flying demon-lights. Just as they start thinking the opponents are winning, the Doctor recognises the sound of materialising TARDIS, and both make it to the safety of the ship. The Doctor introduces Rani and Priyanka, and the latter tells him the news about Clara being taken.

Fortress Scindia, Madhya Province, 2315 Edit

The four-armed creatures, who prefer to crawl over the ceiling, bring Clara to the rooms of Chandra Scindia himself. He takes her mobile phone and, over her protests, calls the Doctor.

Meanwhile the Doctor has brought Rani and Priyanka back to Tiger's apartment. Taking a photo of himself with Tiger from the wall, he accidentally turns on a holo-message recorded by Tiger in case of his death. In the message Tiger explains that he was hired by the Scindia family to find four swords of Kali, that Chandra Scindia provided him with a proof she really existed. He located the four temples where the swords had been hidden and attached their coordinates to the message. He also succeeded in retrieving three of the swords when he started hesitating in the Scindias' motives. Interestingly, the swords were protected by more than the usual death-traps of the ancients. There was also extra-terrestrial technology and killer androids. He felt a hint of evil when transferring the third sword to them. But the decision whether to return the fourth sword to the Scindias was taken from him. When he arrived at the fourth temple, it was in ruins, the sword was gone and two monstrous corpses were lying on the ground. The problem was that the Scindias didn't believe his story. Hence, he decided to contact the Doctor and record this holo-message as an extra insurance. He also wished his daughter to follow her heart and apologised for opposing her career before. As the message ends, the TARDIS telephone rings. This is the call from Chandra Scindia.

Before the interview with Sonam Scindia, a newsflash shows a wave of spaceships, each carrying thousands of families taking off towards Haven. They leave Earth to live in the orbital city to escape the problems plaguing the continent of India.

Chandra Scindia looks at the launching rockets from his window marvelling at human life, as the Doctor and Rani walk out of the TARDIS to negotiate. The Doctor is surprised as he thought Kaliratha such as are only interested in death. Chandra is surprised the Doctor has heard of Kaliratha. He did. Kaliratha were four-dimensional beings who styled themselves as deities to feed on the life-forces of their followers. They used totems, like Kali's four swords, to channel their four-dimensional powers. With them, they could slice through the fabric of time and space. Among other malevolent species, Kaliratha were wiped out or incarcerated after the Hyperion War. Chandra confirms that Kali was defeated, but they—her most loyal disciples, whom she granted immortality by lacing their genetic structures with her own DNA—have worked tirelessly towards her resurrection ever since. They just need the last sword, and Chandra wants the Doctor to procure it. The Doctor naturally refuses, but Karisma Scindia puts on the camera feed with Clara onscreen. Clara is tied under the nozzles of a rocket scheduled to launch in ten seconds. The Doctor is forced to agree to the deal, despite Rani's protestations. To avoid any chance of trickery on his part, Chandra sends Aamir and Karisma with them on the sword-retrieving mission.

After the Doctor, Rani, Aamir and Karisma leave in the TARDIS, two four-armed creatures bring Clara to the same gigantic statue of Kali that the Doctor and Rani found in 1825. Chandra informs here that her life was never really in danger because he has different plans for her. He wants her to host Kali upon her return to Earth. They lock Clara in a chamber at the bottom of the statue and release the souls of the dead into it. Thick violet smoke fills the chamber hiding Clara from view. Then four blue hands appear. As Chandra bows offering a sword, as a gigantic figure in barely recognisable Clara's body emerges from the chamber. This is Kali. She has blue skin and four arms. She has returned.

Part three Edit

to be added

Characters Edit

Florence Edit

Priyanka's flashback Edit

Rani's flashback Edit

References Edit

Notes Edit

SwordsOfKali spread

Original title spread

SwordsOfOkti spread

Alternative title spread

  • Kali was renamed Okti, and the story therefore renamed The Swords of Okti, in the UK trade paperback and several other releases, despite Doctor Who Comic running the story unchanged.[1] The list of correspondences between the versions can be found in the following table:
The Swords of Kali The Swords of Okti
Kali Okti
Kaliratha Oktirejhna
Klari Oklari
deity/Hindu goddess Celestial/avatar/celestial avatar
Hindu mythology Indian history
  • Starting from Part 2, which was released in January 2015, the year 24th-century part of the story takes place in jumps from 2314 to 2315. No narrative explanation such as the proximity of the New Year is provided. In particular, the Doctor introduces Priyanka to Rani as "trainee astronaut, 2315" despite last seeing her in 2314.
  • An image of Danny Pink appears on one panel; to date, it is his only appearance in a Titan comic story.
  • Clara appears to be borrowing a shirt from Priyanka at the end of the story, as Kali's top was too big for her; immediately after Clara changes back, the Doctor lends her his coat to cover herself. Though it appears Clara kept Kali's trousers until she can get to the TARDIS wardrobe.
  • Leonardo's words "For whom does that unearthly bell toll?" are a paraphrase of the title of the novel For Whom the Bell Tolls by Ernest Hemingway.

Original print details Edit

to be added

Continuity Edit

Footnotes Edit

  1. 2

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